Glimpse Of the Bangungot
1999,
A friend who worked at Kinko's
hooked me up with 22 square feet of poster paper.
I tacked half of it on a wall of a room i was renting at
360 St. Francis Blvd, Daly City.
The paper hung there blank for months.
The family of roomies slowly occupied the rooms.
360 is a beautiful home.
I want to say the house was haunted,
but, "haunted" sounds so negative.
The family agreed that
we were not always alone in the house.
I personally didn't fully accept the presence of
the other family member until...
2000.
I was introduced to our newsest roomie,
gaNyan.
Being artists, we instantly became brothers.
The day he came to visit the house
to check out the room downstairs,
he burns Sage during the 360 tour.
That night.. err.. or early next morning,
I woke up... err.. or I tried to wake up.
I was paralyzed.
This happened a couple times when I was younger,
but, they felt more like easily forgotten nightmares.
And this time,
I was not sure if I was dreaming or awake.
It felt like it was somewhere in between.
I know a friend who gets in this kind of situation
on a regular basis.
She told me that if you wiggle your toes
you will slowly free yourself from paralysis.
Instead of wiggling my toes,
I tried opening my eyes...
The room was dimly lit
from the slowly pulsing white light
of the computer tower under my desk.
I saw (or dreamt) a silhouette of a
large headed figure.
If the silhouette was not
a person standing in front of my feet,
then it was a small creature crouching on my chest.
It didn't feel like a nightmare.
It was creepy and I didn't feel threatened.
But, being completely helpless was not fun.
It was mischievous more than anything.
It was like it was letting its presence known.
I can't remember how or when I was freed,
but, when I was, my heart was racing.
I jumped out of bed and grabbed a pencil.
On the poster paper behind me,
I started sketching the shape of the silhouette.
The sketch would sit there for months.
I told the story to family and friends
who would ask about this odd sketch
hanging on my wall.
With the story being more exciting than
what I would try and add to the sketch
My failed attempts would just eventually get erased.
It was even more difficult that
it didn't have a deadline, direction, or purpose.
2001.
I became paralyzed in front of the television.
I couldn't be freed from it for 1 week of September.
I was scared. Then I was sad. Then angry. Paranoid.
Full of negativity.
After a week of this paralysis,
I finally wiggled my toes and freed myself.
I decided that I would never
let anything control me again.
So, I turned the television off.
With all the time off,
and all this negative energy to vent out,
the poster paper started to fill up.
The medium changed from pencil to ball-point pen,
then finally to ink pens and acrylic.
The direction was moving forward
and the purpose was extremely meditative.
But, it still didn't have a deadline.
Through the years,
after moving out of the 360 home,
I moved into several different homes,
The Bus Stop, The Shugashak, The Meteor,
The Klubhaus, Astroid Base 1,
and finally to Moon Base 2.
Whenever I moved and grew roots at a new home
GOB would find itself tacked on a wall.
I would find myself in my
element at 3am
zoned out, blasting music through my headphones
with a pen in my hand.
2009.
gaNyan invited me to participate in an art exhibit
with a Philippine Folklore theme called
Tabi Tabi Po.
A few months before the exhibit,
I was hanging out with gaNyan
and another 360 family member, shortyrocwell.
I showed them a couple pieces I was working on
and they asked me, "What's up with GOB?"
I just recently moved
and I was not completely unpacked,
so, I totally forgot about GOB.
That night I dug GOB out and tacked it on the wall.
GOB finally had a deadline.

(click on image for detail shot)
For info on purchasing a vinyl print of GOB,
E-mail
1AM Gallery.
(ALL of my profits will be donated
to the Filipino victims of typhoon Ondoy and Pepeng)
Labels: visual